![]() ![]() Caramanica argues that the worst thing a label could do would be to teach Uzi the proper way to write songs: “He takes essentially trash parts, like waste-bin stuff, and stitches it together into something that roughly approximates rap, or not, and it works.” (Later, the group listens to a snippet of a version of Migos’s “Bad and Boujee” edited to only include Uzi’s “ya” vocal over and over again. ![]() Coscarelli notes of Lil Uzi Vert’s songwriting technique, “It’s by sheer force of will and charisma and repetition that some of these things start to stick out.” And Mr. ![]() Turner explains why experiencing Lil Uzi Vert’s catalog en masse, on SoundCloud, is the most effective method: “You maybe don’t notice the details because there’s so much, so the idea of Uzi is larger than the individual songs.”Īfter listening to a clip of “Buy It,” Mr. “What they’re doing is world-building - the music comes second.” Coscarelli describes him as originating in a small group of young hip-hop artists who “are really more characters and celebrities on social media than they are rappers.” They’re fashion-conscious, have very defined aesthetics and have learned how to craft a narrative around themselves. The first point of discussion: What is it that Lil Uzi Vert does? Mr. ![]()
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